![]() More bokeh on ARRI 65 (due to a longer lens). Of course, there’re alterations and differences, but these come from different aspects, as will be discussed later on. As you will explore in the video, the look between S35 and ARRI 65 can be perfectly matched although the significant difference in sensor size. Codecs used: ARRI ALEXA 65: 6.5K Open Gate ARRIRAW, 25p, and ARRI ALEXA Mini: 3.4K Open Gate ARRIRAW, 25p. Both cameras were mounted in a stereoscopic rig, so the cameras are recording the scene in the same position simultaneously”. To make the differences as significant as possible I compare the s35mm ALEXA Mini with the 65mm ALEXA 65, which is the largest sensor digital cinema camera on the market right now. Picture: Manuel Lübbers S35 can be perfectly matched to 65Īs stated by Manuel: “This test takes a closer look at the characteristics of an image produced by two cameras with different sized sensors. After watching the test carefully, we think that S35 has a huge future, and it’s far from being an obsolete format. We chose to show this as a continuation to our previous article about the possible obsolesces of S35 sensors. This is a comparison between Super 35 and a very large sensor size. The Mini owns a Super 35 sensor, and the ALEXA 65 has the same sensor that the Mini has (ALEV III) but X3. The test compared the look of two similar but very different cameras: ARRI ALEXA Mini and ARRI ALEXA 65. ![]() Although this is not a new test, it is worth mentioning as it explains and clarifies the misconception regarding large format cinematography. This article is based on one of the most comprehensive tests crafted by cinematographer Manuel Lübbers. Picture: Manuel Lübbers There isn’t a look called ‘Large Format’ ARRI Mini vs ARRI 65: The difference in angle of view. In other words, there’s no such thing as a ‘large format look’. There’re other characteristics of the large format though, but elevated bokeh is not part of them. Factors affected like shallower depth of field and image compression are not relevant. In this article, we’re contradicting almost everything we said and thought about the ‘Large Format Look’, at least regarding the connection between sensor size and depth of field.
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